The characters are well developed all with flaws, all with positive qualities. There were times I wanted to embrace a character and then later I felt like asking the same character "What were you thinking?!!" No one was all good, nor all bad. They were real! I had no idea how I wanted the story to go. I kept changing my mind. And I was never sure how the author would end their story.
This is the story of Roy and Celestial Hamilton who met through her best friend Dre. Roy and Celestial married and were deeply in love when after only 18 months of marriage had their world turned upside down. Roy goes to prison for a crime he did not commit. While he is away Celestial turns to Dre for support. Then when he is released he returns to different life. Has his marriage survived? Love, race, trust, loyalty, honesty, family obligations are all explored. This is a heartfelt story, nothing flashy. Ms. Jones wrote in such a way that I could feel the pain the characters felt over the decisions they had to make. No one was going to escape untouched.
'An American Marriage" is perfect for book clubs. It lends itself to an amazing discussion of the choices made, the consequences, the interactions, race inequality, feminism, family definition.
Mistakes are made, loved ones are betrayed, the term family is redefined, and emotions are laid bare. This is real life.
Vanessa, ex-wife to Richard, is down on her luck and living in a small apartment with her aunt. Post divorce, she's gone from housewife to retail hell at Saks. She's an addict, alcohol being her drug of choice. I think that was one major thing that bothered me about The Wife Between Us. It's very en vogue these days to use alcohol issues as the perfect foil to create an unreliable narrator. It's been done several times and ways and every time I'm left feeling a little cold.
Nellie, Richard's soon to be new wife, is the anti-Vanessa. She's bright, teaches pre-school and is a genuinely happy and refreshing interval every other chapter. Where Vanessa is dark and brooding, Nellie is light and joyful until Richard's ex starts to turn up. Or so it seems.
Initially I gave The Wife Between Us three stars. Then I thought about the book for a few days, always a good sign, and bumped it to 3.5. And then I sat down to review it today and thought "what the heck" and put it up to four. The fact that I'm still thinking about it even two weeks later means it has stuck with me, and with as many books as I read that's quite an accomplishment.
This is not just another WWII story as the perspective is of three very different German women with very different experiences of loss, guilt, survival and recovery before, during and decades after the war.
For me this book was deeply personal. My mother was a German war refugee and at so many points in the book I was reminded of her "story". Millions of Germans had similar stories and I was once again reminded of their suffering and the atrocities of war.
I also loved that this story was about and told by women. Their experiences and the ripple effects of war as well as their own actions and decisions makes this narrative even more compelling.
I do have some minor criticisms. The narrative goes back and forth in time and sometimes it is confusing to keep track of what has or has not happened as you read it. (Why are so many authors using this technique these days?) And there is a chapter after the book ends that the author did not include in the main narrative. I think it should have been included.
I highly recommend this book.
Each one's story is told in succession with little interaction between the siblings until each one's death. Each story is compelling on its own. The characters are well developed. Each life story has a clear beginning, middle and end. The place and time each sibling's story covers is detailed and distinct.
An intriguing, well written, and aware novel delineating the difference between belief and science, reality and fantasy. The choices each sibling makes will resonate long after you finish reading.
Since his father's death, he manages their farm in a suburban area of LA once known as the City of Dickens. A talented farmer, he grows, among other cash crops, square watermelons and pot, and his uniquely delicious produce is very popular locally. In the prologue, we find him summoned to appear before the Supreme Court of USA on charges of racial segregation and slavery.
Although our narrator's name is never mentioned, he is referred to by one character as The Sellout, and bears the nickname Bonbon from his performance in a school spelling bee. Beatty gives the reader a cast of quirky characters that includes a former child-actor, the Assistant Principal of the Chaff Middle School, a female bus driver and a has-been TV personality who rewrites classic texts into blackly correct books. A former city is re-established via Freeway signs and a three-inch-wide white painted border. Meetings of the Dum Dum Donuts Intellectuals are the forum for black ideas and our protagonist employs a sort of reverse psychology that ends up in a resegregation push. He also provides novel take on blackface entertainment.
One World have produced editions of Beatty's four novel with themed covers and this one has a lawn jockey with a gas lamp on the cover, the significance of which becomes clear in the text. This satire has been described as brilliant, outrageous, demented, hilarious and profound, all succinct and accurate descriptors. Very entertaining.
People used to talk about the imminent death of reading. The internet, it was thought, would kill the book industry. But old habits die hard, and the trusty American novel continues to give readers many hours of escapism. In fact, according to Global English Editing's infographic on American reading habits published below, we're reading almost as much as we ever have. [More]
Slumberland is the third novel by Man Booker Prize-winning American author, Paul Beatty. Ferguson W. Sowell, aka DJ Darky has a talent for DJing, and says "I compensate for a lack of skills and Negritude with a surfeit of good taste and a record collection that I like to think is to DJing what the Louvre is to painting." He has spent months trying to compose his perfect beat, and it's almost there: in the parlance, it is "presque parfait".
The Beard Scratchers, members of his record pool, agree. After much analysis, they hit upon the missing element: it needs to be ratified by their ultimate beat break, the elusive Charles Stone, aka the Schwa. Coincidentally (or perhaps not quite?), Ferguson comes across a porn tape sound-tracked with music certain to be the Schwa's. The trail leads to East Germany and, with some help from the Beard Scratchers, Ferguson finds himself engaged as a Jukebox-Sommelier at the Slumberland Bar in Berlin.
It is a Berlin about to tear down its Wall, and Ferguson is somewhat surprised to find that others share his love of the Schwa's music: he is assisted in his quest by a bartender, a journalist, a Stasi agent, a pair of German negro sisters, and, eventually, the clientele of the Slumberland. Through a number of quirky characters and some crazy, laugh-out-loud events, Beatty examines the experience of the negro in Germany.
One World have produced editions of Beatty's four novel with themed covers and this one has LP discs on the cover. A knowledge and appreciation of jazz is bound to enhance the enjoyment of this story, but is not essential, because the plot and characters are strong enough to draw the reader in. The musical descriptions certainly make the reader wish to hear the Schwa's music. There's plenty of wit and black humour in Beatty's lyrical prose. Original, incisive and funny.
The story unfolds with Christina's as a young girl. A childhood illness left her with difficulty walking and no cure for her bone disease. As she grew older, the effects worsened leaving her crippled making her farm chores difficult. A bright student, the opportunity to further her studies to become a teacher were dismissed early by her parents. Her future only left her with two choices, to marry or maintain the farm. Sadly, she had very few opportunities to make romantic connections leaving her with no escape. Christina is not the most likable character, but by reading the book you become sympathetic to her disposition. Andrew Wyeth developed a relationship with her over many years and was able to capture a different side of her in this painting.
Andrew Wyeth painted the portrait, but the author writes a beautiful story by bringing it to life. Intertwined in the story is how she met Wyeth, who through his masterpiece, shows the world her softer side of someone having suffered so much both internally and externally. The author showcases a very moving and impactful novel.